1979-1981

IDAHO

Working on the Rephotographic Survey Project taught me a lot about making landscape photographs, and I also became very familiar with Polaroid's Type 55 positive/negative film made for use in view cameras. The film produced an instant print and 4x5-inch negative that could be the in developed on site. The film's advantage to the RSP was that we could see the results of choices up ar made with the camera - position, framing, and the ft exposure. Once an image was exposed, developed, and examined, we knew we could leave the site having produced a usable image. The negative could later be enlarged to make high-quality prints. Thanks to Polaroid's donations, we had plenty of film for the project's fieldwork, so after the second year I began to use some of the film to make my own landscape photographs.

The pictures began with a few "alternate views" that I made in reference to the work of original photographers like Timothy O'Sullivan. Later I started using the film to make pictures at home where I lived at the time in Ketchum, Idaho. I loved the instantaneous nature of the Polaroid film process, the way it enabled spontaneity in setting up and framing an image. It seemed to contradict the formal demands of working a large and bulky view camera.

At the same time I gave up making the photographs I had been working on outside of the RSP up to that point, color photographs made from 35 mm film that were formal explorations of ordinary urban scenes. I switched in favor of the black-and-white Polaroid process and found that it could be more personal, and I could include friends, events, and the places I visited. My practice became closer to my life at the time. I saw these photographs as my snapshots, and their departure from the concerns I had about art practice felt very liberating.

2020-21

REVISITING HOME: Ketchum, Idaho

In 2020 I was asked by the Sun Valley Museum of Art (formerly the Sun Valley Center for Art and Humanities and now located in Ketchum Idaho) to make new work as part of the organization’s fifty year celebration. In June 2020 and July 2021 I returned to the Ketchum, Hailey and Sun Valley area to make new photographs loosely based on many I had made when I lived in the area between 1979-1981.

In over forty plus years my former home town had changed in many ways. Houses had been torn down and bigger ones rebuilt, more trees and planted vegetation covered areas where the desert met the mountains. Most clearly, the demographics had begun to shift away from a white monoculture while at the same time the financial requirements of full time residents had been elevated, leaving many to live outside the town where a mixed economy once thrived. The only constant was the beauty of the area.

Both new and old photographs were exhibited together at the Sun Valley Museum in Ketchum in the summer of 2021.

Related:

Seeing Time: Forty Years of Photographs

 University of Texas Press, 2020

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